Cirque du Soleil moves from big top to big screen
Worlds Away director Andrew Adamson, left, calls his work with executive producer James Cameron an “incredibly enjoyable collaboration.” The two were always looking for new ways to shoot in 3-D. While on an 80-foot catwalk above the stage they were required to wear safety straps. “We were all over the place, and every once in a while we’d get yelled at by the Cirque safety people,” says Adamson. “There were a number of times we pushed the edge a little bit.”
